A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxviii
... truth " so conceived . But if by " truth " we mean an appreciation socially com- municable , art does indeed contain truths . The " truth " crudely expressed in the hobo song is also social ; it has been felt by many hoboes ; it appeals ...
... truth " so conceived . But if by " truth " we mean an appreciation socially com- municable , art does indeed contain truths . The " truth " crudely expressed in the hobo song is also social ; it has been felt by many hoboes ; it appeals ...
Pagina 18
... truth ; in that sense the great phrase of the Platonists , splendor veri , abides for ever . But if the joy produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of ...
... truth ; in that sense the great phrase of the Platonists , splendor veri , abides for ever . But if the joy produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of ...
Pagina 199
... Truth and realism are there- fore esthetically good , but they are not all - sufficient , since the representation ... truth in science and in art . Science is the response to the demand for information , and in it we ask for the whole ...
... Truth and realism are there- fore esthetically good , but they are not all - sufficient , since the representation ... truth in science and in art . Science is the response to the demand for information , and in it we ask for the whole ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words