A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 157
... turning - away from immediate environment — that could be secured by sitting in a quiet study , without dis- turbance ... turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
... turning - away from immediate environment — that could be secured by sitting in a quiet study , without dis- turbance ... turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
Pagina 474
... turn , can be no more than idle , self - indulgent play if the artistic quality and the truth and significance of art are ig- nored . Even the esthete , who deprecates the categories of artistic truth and greatness , is , at his best ...
... turn , can be no more than idle , self - indulgent play if the artistic quality and the truth and significance of art are ig- nored . Even the esthete , who deprecates the categories of artistic truth and greatness , is , at his best ...
Pagina 543
... turn aside the triumphant march of War Commercial before it reaches the end . That is what three centuries of Commerce have brought that hope to , which sprang up when feudalism began to fall to pieces . What can give us the dayspring ...
... turn aside the triumphant march of War Commercial before it reaches the end . That is what three centuries of Commerce have brought that hope to , which sprang up when feudalism began to fall to pieces . What can give us the dayspring ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words