A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 329
... understand the state of mind of those who understand it best . I do not say that art means nothing or little to them ; I say they miss its full significance . I do not suggest for one moment that their appreciation of art is a thing to ...
... understand the state of mind of those who understand it best . I do not say that art means nothing or little to them ; I say they miss its full significance . I do not suggest for one moment that their appreciation of art is a thing to ...
Pagina 391
... understand a product of civilization , an institution , a law , a religion , a government , again I must needs establish their connections with the human efforts of the past , their causes and effects , their relations to all the ...
... understand a product of civilization , an institution , a law , a religion , a government , again I must needs establish their connections with the human efforts of the past , their causes and effects , their relations to all the ...
Pagina 449
An Anthology Melvin Miller Rader. In general we shall not understand why the concept of artistic purpose is given ... understanding . " But what is this healthy human understanding if not the laziness of our minds , which will hardly go ...
An Anthology Melvin Miller Rader. In general we shall not understand why the concept of artistic purpose is given ... understanding . " But what is this healthy human understanding if not the laziness of our minds , which will hardly go ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words