A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 56
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
Pagina 57
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
Pagina 64
... unity that gives it its name , that meal , that storm , that rupture of friendship . The existence of this unity is constituted by a single quality that pervades the entire experience in spite of the variation of its con- stituent parts ...
... unity that gives it its name , that meal , that storm , that rupture of friendship . The existence of this unity is constituted by a single quality that pervades the entire experience in spite of the variation of its con- stituent parts ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words