Dall'interno del libro
Risultati 1-3 di 57
Pagina 56
One chief aspect of order in a work of art is unity; unity of some kind is necessary
for our restful contemplation of the work of art as a whole, since if it lacks unity we
cannot contemplate it in its entirety, but we shall pass outside it to other things ...
One chief aspect of order in a work of art is unity; unity of some kind is necessary
for our restful contemplation of the work of art as a whole, since if it lacks unity we
cannot contemplate it in its entirety, but we shall pass outside it to other things ...
Pagina 57
This merely decorative unity is, moreover, of very different degrees of intensity in
different artists and in different periods. The necessity for a closely woven
geometrical texture in the composition is much greater in heroic and monumental
...
This merely decorative unity is, moreover, of very different degrees of intensity in
different artists and in different periods. The necessity for a closely woven
geometrical texture in the composition is much greater in heroic and monumental
...
Pagina 64
In a work of art, different acts, episodes, occurrences melt and fuse into unity, and
yet do not disappear and lose their own character as they do so— just as in a
genial conversation there is a continuous interchange and blending, and yet
each ...
In a work of art, different acts, episodes, occurrences melt and fuse into unity, and
yet do not disappear and lose their own character as they do so— just as in a
genial conversation there is a continuous interchange and blending, and yet
each ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |