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Pagina 56
One chief aspect of order in a work of art is unity ; unity of some kind is necessary
for our restful contemplation of the work of art as a whole , since if it lacks unity we
cannot contemplate it in its entirety , but we shall pass outside it to other things ...
One chief aspect of order in a work of art is unity ; unity of some kind is necessary
for our restful contemplation of the work of art as a whole , since if it lacks unity we
cannot contemplate it in its entirety , but we shall pass outside it to other things ...
Pagina 57
This merely decorative unity is , moreover , of very different degrees of intensity in
different artists and in different periods . The necessity for a closely woven
geometrical texture in the composition is much greater in heroic and monumental
...
This merely decorative unity is , moreover , of very different degrees of intensity in
different artists and in different periods . The necessity for a closely woven
geometrical texture in the composition is much greater in heroic and monumental
...
Pagina 64
In a work of art , different acts , episodes , occurrences melt and fuse into unity ,
and yet do not disappear and lose their own character as they do so - just as in a
genial conversation there is a continuous interchange and blending , and yet ...
In a work of art , different acts , episodes , occurrences melt and fuse into unity ,
and yet do not disappear and lose their own character as they do so - just as in a
genial conversation there is a continuous interchange and blending , and yet ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |