A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 56
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass ✓ outside it to other things necessary to ...
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass ✓ outside it to other things necessary to ...
Pagina 57
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
Pagina 512
... unity with details . If we intuit the unity of it , as we did in the original reading , we get the quality of the event by a fusion of its interrelated details . If we analyze it to find the relations of its details , we diffuse the ...
... unity with details . If we intuit the unity of it , as we did in the original reading , we get the quality of the event by a fusion of its interrelated details . If we analyze it to find the relations of its details , we diffuse the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition judgments kind knowledge language latent content live manifest content material means Melvin Rader ment merely mind moral nature object organization ourselves painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychological pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words