A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 249
... variation in sound . For these are equally conditions , though less strikingly characteristic conditions , of musical structure . The relation louder - than , with its converse , softer - than , is a relation establishing for all sounds ...
... variation in sound . For these are equally conditions , though less strikingly characteristic conditions , of musical structure . The relation louder - than , with its converse , softer - than , is a relation establishing for all sounds ...
Pagina 250
... variations for hues at all degrees of lightness and darkness from maximum saturation to the neutral grays . This gives us three convenient main dimensions of color variation , all compactly illustrated in the familiar diagram of a ...
... variations for hues at all degrees of lightness and darkness from maximum saturation to the neutral grays . This gives us three convenient main dimensions of color variation , all compactly illustrated in the familiar diagram of a ...
Pagina 368
... variation -or to balance them against unlike characters . Yet by themselves neither mere variation of theme nor balance of opposites will create evolution . Thematic variation , bal- ance , and evolution remain , therefore , the ...
... variation -or to balance them against unlike characters . Yet by themselves neither mere variation of theme nor balance of opposites will create evolution . Thematic variation , bal- ance , and evolution remain , therefore , the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words