A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 135
... wishes are the driving power behind phantasies ; every separate phantasy contains the fulfillment of a wish , and improves on unsatisfactory reality . The impelling wishes vary according to the sex , character and circumstances of the ...
... wishes are the driving power behind phantasies ; every separate phantasy contains the fulfillment of a wish , and improves on unsatisfactory reality . The impelling wishes vary according to the sex , character and circumstances of the ...
Pagina 136
... wishes , serving to exalt the person creating them , or they are erotic . In young women erotic wishes dominate the phantasies almost exclusively , for their ambition is generally ... wish was fulfilled . Then 136 DESIRE AND THE UNCONSCIOUS.
... wishes , serving to exalt the person creating them , or they are erotic . In young women erotic wishes dominate the phantasies almost exclusively , for their ambition is generally ... wish was fulfilled . Then 136 DESIRE AND THE UNCONSCIOUS.
Pagina 137
... wish - this is the day- dream or phantasy , which now carries in it traces both of the occasion which engendered it and of some past memory . So past , present , and future are threaded , as it were , on the string of the wish that runs ...
... wish - this is the day- dream or phantasy , which now carries in it traces both of the occasion which engendered it and of some past memory . So past , present , and future are threaded , as it were , on the string of the wish that runs ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words