A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Risultati 1-3 di 87
Pagina 159
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute " can mean a foolish ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute " can mean a foolish ...
Pagina 171
... words contain the emotional content " in themselves " and not in the things they symbolized ? Dream analysis gives ... words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry which ...
... words contain the emotional content " in themselves " and not in the things they symbolized ? Dream analysis gives ... words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry which ...
Pagina 272
... words to describe musical experiences ; words are not equal to this task . For , while music is not isolated , it is unique , and what it means to us is quite incapable of being stated in words or in any other medium than just the music ...
... words to describe musical experiences ; words are not equal to this task . For , while music is not isolated , it is unique , and what it means to us is quite incapable of being stated in words or in any other medium than just the music ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words