Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
Dall'interno del libro
Risultati 1-5 di 90
Pagina
... fact of feeling , not a theoretical fact - Esthetic appearance , and feeling - Criticism of the theory of æsthetic senses - Unity and indivisibility of the work of art - Art as liberator III 22 ART AND PHILOSOPHY Inseparability of ...
... fact of feeling , not a theoretical fact - Esthetic appearance , and feeling - Criticism of the theory of æsthetic senses - Unity and indivisibility of the work of art - Art as liberator III 22 ART AND PHILOSOPHY Inseparability of ...
Pagina
... æsthetic fact - Their use to indicate various æsthetic imperfections - Their use in a sense transcending æsthetic , in the service of science - Rhetoric in the schools - The resemblances of expressions — The possibility of translations ...
... æsthetic fact - Their use to indicate various æsthetic imperfections - Their use in a sense transcending æsthetic , in the service of science - Rhetoric in the schools - The resemblances of expressions — The possibility of translations ...
Pagina
... fact and an intuitive fact, lies in the difference of the total effect aimed at by their respective authors. This it is that determines and rules over the several parts of each not these parts separated and considered abstractly in ...
... fact and an intuitive fact, lies in the difference of the total effect aimed at by their respective authors. This it is that determines and rules over the several parts of each not these parts separated and considered abstractly in ...
Pagina
... real or of the unreal, not perceptions, but pure intuitions. Where all is real, nothing is real. The child, with its difficulty of distinguishing true from false, history from fable, which are all one to childhood, can furnish us with a ...
... real or of the unreal, not perceptions, but pure intuitions. Where all is real, nothing is real. The child, with its difficulty of distinguishing true from false, history from fable, which are all one to childhood, can furnish us with a ...
Pagina
... fact from the mechanical, passive, natural fact. Every true intuition or representation is also expression. That which does not objectify itself in expression is not intuition or representation, but sensation and mere natural fact. The ...
... fact from the mechanical, passive, natural fact. Every true intuition or representation is also expression. That which does not objectify itself in expression is not intuition or representation, but sensation and mere natural fact. The ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann