Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
Dall'interno del libro
Risultati 1-5 di 87
Pagina
... called the minor problems of Esthetic , and the objections which have been or might be brought against my theory , I have dealt and am continuing to deal in special essays , of which I shall shortly publish a first collection which will ...
... called the minor problems of Esthetic , and the objections which have been or might be brought against my theory , I have dealt and am continuing to deal in special essays , of which I shall shortly publish a first collection which will ...
Pagina
... called nature, which is mechanism and has no resemblance to human activity, save when we imagine, with Æsop, that "arbores loquuntur non tantum ferae." Some affirm that they have never observed in themselves this "miraculous" activity ...
... called nature, which is mechanism and has no resemblance to human activity, save when we imagine, with Æsop, that "arbores loquuntur non tantum ferae." Some affirm that they have never observed in themselves this "miraculous" activity ...
Pagina
... called verbal expressions alone. But there exist also non-verbal expressions, such as those of line, colour and sound, and to all of these must be extended our affirmation, which embraces therefore every sort of manifestation of the man ...
... called verbal expressions alone. But there exist also non-verbal expressions, such as those of line, colour and sound, and to all of these must be extended our affirmation, which embraces therefore every sort of manifestation of the man ...
Pagina
... called par excellence art , collects intuitions that are wider and more complex than those which we generally experience , but these intuitions are always of sensations and impressions . Art is expression of impressions, not expression ...
... called par excellence art , collects intuitions that are wider and more complex than those which we generally experience , but these intuitions are always of sensations and impressions . Art is expression of impressions, not expression ...
Pagina
... called works of art. The limits of the expression-intuitions that are called art, as opposed to those that are vulgarly called non-art, are empirical and impossible to define. If an epigram be art, why not a simple word? If a story, why ...
... called works of art. The limits of the expression-intuitions that are called art, as opposed to those that are vulgarly called non-art, are empirical and impossible to define. If an epigram be art, why not a simple word? If a story, why ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann