Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
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Pagina
Benedetto Croce. because, as a general rule, a too restricted meaning is given to the word "expression." It is generally restricted to what are called verbal expressions alone. But there exist also non-verbal expressions, such as those ...
Benedetto Croce. because, as a general rule, a too restricted meaning is given to the word "expression." It is generally restricted to what are called verbal expressions alone. But there exist also non-verbal expressions, such as those ...
Pagina
... given a rapid glance at any one , they attempt to obtain a real intuition of him , in order , for example , to paint his portrait , then this ordinary vision , that seemed so precise , so lively , reveals itself as little better than ...
... given a rapid glance at any one , they attempt to obtain a real intuition of him , in order , for example , to paint his portrait , then this ordinary vision , that seemed so precise , so lively , reveals itself as little better than ...
Pagina
... it suffices that they should be impressions. It is true that the want of given organs, that is, of certain groups of cells, prevents the formation of certain impressions (when these are not otherwise obtained through a kind of organic.
... it suffices that they should be impressions. It is true that the want of given organs, that is, of certain groups of cells, prevents the formation of certain impressions (when these are not otherwise obtained through a kind of organic.
Pagina
... given person or persons. Hence it is incorrect to say that we have the thought without the expression; whereas we should rather say that we have, indeed, the expression, but in such a form that it is not easy to communicate it to others ...
... given person or persons. Hence it is incorrect to say that we have the thought without the expression; whereas we should rather say that we have, indeed, the expression, but in such a form that it is not easy to communicate it to others ...
Pagina
... Given the Gerusalemme liberata, the allegory was imagined afterwards; given the A done of Marino, the poet of the lascivious afterwards insinuated that it was written to show how "immoderate indulgence ends in pain"; given a statue of a ...
... Given the Gerusalemme liberata, the allegory was imagined afterwards; given the A done of Marino, the poet of the lascivious afterwards insinuated that it was written to show how "immoderate indulgence ends in pain"; given a statue of a ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann