Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
Dall'interno del libro
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Pagina
... impression of a moonlight scene by a painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a sighing lyric, or those with which we ask, command and lament in ordinary life, may ...
... impression of a moonlight scene by a painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a sighing lyric, or those with which we ask, command and lament in ordinary life, may ...
Pagina
... impressions, whatever they be. Intuition and the concepts of space and time. Those, therefore, who look upon intuition as sensation formed and arranged simply according to the categories of space and time, would seem to approximate more ...
... impressions, whatever they be. Intuition and the concepts of space and time. Those, therefore, who look upon intuition as sensation formed and arranged simply according to the categories of space and time, would seem to approximate more ...
Pagina
... impressions and feelings, but only so far as he is able to formulate them. Feelings or impressions, then, pass by means of words from the obscure region of the soul into the clarity of the contemplative spirit. It is impossible to ...
... impressions and feelings, but only so far as he is able to formulate them. Feelings or impressions, then, pass by means of words from the obscure region of the soul into the clarity of the contemplative spirit. It is impossible to ...
Pagina
... impression of it , we do not perceive all the characteristic traits of which it is the sum , as the painter discovers them after he has worked upon them and is thus able to fix them on the canvas . We do not intuitively possess more ...
... impression of it , we do not perceive all the characteristic traits of which it is the sum , as the painter discovers them after he has worked upon them and is thus able to fix them on the canvas . We do not intuitively possess more ...
Pagina
... impressions , sensations , feelings , impulses , emotions , or whatever else one may term what still falls short of the spirit and is not assimilated by man ; something postulated for the convenience of exposition , while actually non ...
... impressions , sensations , feelings , impulses , emotions , or whatever else one may term what still falls short of the spirit and is not assimilated by man ; something postulated for the convenience of exposition , while actually non ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann