Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
Dall'interno del libro
Risultati 1-5 di 59
Pagina
... method of artistic and literary history - Criticism of the problem of the origin of art - The criterion of progress and history - Non- existence of a single line of progress in artistic and literary history - Errors committed against ...
... method of artistic and literary history - Criticism of the problem of the origin of art - The criterion of progress and history - Non- existence of a single line of progress in artistic and literary history - Errors committed against ...
Pagina
... Method of the natural sciences in Esthetic - H . Taine's Esthetic- Taine's metaphysic and moralism - G . T. Fechner : inductive Esthetic - Experiments - Trivial nature of his ideas on Beauty and Art - Ernst Grosse : speculative Esthetic ...
... Method of the natural sciences in Esthetic - H . Taine's Esthetic- Taine's metaphysic and moralism - G . T. Fechner : inductive Esthetic - Experiments - Trivial nature of his ideas on Beauty and Art - Ernst Grosse : speculative Esthetic ...
Pagina
... method of arrangement , this or that tint or cadence , which can always be copied by skilful plagiarists : not so the spirit of the creator . In England we hear too much of ( natural ) science , which has usurped the very name of ...
... method of arrangement , this or that tint or cadence , which can always be copied by skilful plagiarists : not so the spirit of the creator . In England we hear too much of ( natural ) science , which has usurped the very name of ...
Pagina
... method is always historical , and his object in approaching any work of art is to classify the spirit of its author , as expressed in that work . There are , he maintains , but two things to be considered in criticizing a book . These ...
... method is always historical , and his object in approaching any work of art is to classify the spirit of its author , as expressed in that work . There are , he maintains , but two things to be considered in criticizing a book . These ...
Pagina
... method of distinguishing true intuition, true representation, from that which is inferior to it: the spiritual fact from the mechanical, passive, natural fact. Every true intuition or representation is also expression. That which does ...
... method of distinguishing true intuition, true representation, from that which is inferior to it: the spiritual fact from the mechanical, passive, natural fact. Every true intuition or representation is also expression. That which does ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann