Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
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Pagina
... painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a ... painted face does not there represent the red colour of the physicists, but is a characteristic element of the portrait ...
... painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a ... painted face does not there represent the red colour of the physicists, but is a characteristic element of the portrait ...
Pagina
... painter, or anything else. But be it pictorial, or verbal, or musical, or in whatever other form it appear, to no intuition can expression in one of its forms be wanting; it is, in fact, an inseparable part of intuition. How can we ...
... painter, or anything else. But be it pictorial, or verbal, or musical, or in whatever other form it appear, to no intuition can expression in one of its forms be wanting; it is, in fact, an inseparable part of intuition. How can we ...
Pagina
... paint and carve such images , while we bear them unexpressed in our souls . They believe that any one could have imagined a Madonna of Raphæl ; but that Raphæl was Raphael owing to his technical ability in putting the Madonna upon ...
... paint and carve such images , while we bear them unexpressed in our souls . They believe that any one could have imagined a Madonna of Raphæl ; but that Raphæl was Raphael owing to his technical ability in putting the Madonna upon ...
Pagina
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the characteristic traits of ...
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the characteristic traits of ...
Pagina
... paint the interior of a wax-work museum, or if an actor give a burlesque portrait of a man-statue on the stage, we have work of the spirit and artistic intuition. Finally, if photography have in it anything artistic, it will be to the ...
... paint the interior of a wax-work museum, or if an actor give a burlesque portrait of a man-statue on the stage, we have work of the spirit and artistic intuition. Finally, if photography have in it anything artistic, it will be to the ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann