A Modern Book of Esthetics: An Anthology |
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Pagina xvi
Neither Plato nor Aristotle, for example, favors imitation in the sense of non-
expressive copying. Plato refers to the painters and poets that he condemns as
mere imitators; but in many passages, he recognizes the existence and value of
artistic ...
Neither Plato nor Aristotle, for example, favors imitation in the sense of non-
expressive copying. Plato refers to the painters and poets that he condemns as
mere imitators; but in many passages, he recognizes the existence and value of
artistic ...
Pagina 23
This problem is basic in the scholastic tradition— the tradition of Aristotle, Saint
Thomas Aquinas, and modern Catholic philosophers. Jacques Maritain (1882- ),
the famous French neo-scholastic philosopher, has written in this current of ...
This problem is basic in the scholastic tradition— the tradition of Aristotle, Saint
Thomas Aquinas, and modern Catholic philosophers. Jacques Maritain (1882- ),
the famous French neo-scholastic philosopher, has written in this current of ...
Pagina 24
(a) Practice (Corresponding to Aristotle's practical sciences— politics, ethics,
economics). (b) Making, or Art in the wide sense (Corresponding to Aristotle's
productive sciences— poetics, rhetoric, technology in general). (1) Craftsmanship
, or ...
(a) Practice (Corresponding to Aristotle's practical sciences— politics, ethics,
economics). (b) Making, or Art in the wide sense (Corresponding to Aristotle's
productive sciences— poetics, rhetoric, technology in general). (1) Craftsmanship
, or ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York