A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 287
... Beethoven did make certain claims for his music and that Elizabeth , very romantic and somewhat unscrupulous , gave them what she thought was an effective presentation . The point is important because in this report is almost the only ...
... Beethoven did make certain claims for his music and that Elizabeth , very romantic and somewhat unscrupulous , gave them what she thought was an effective presentation . The point is important because in this report is almost the only ...
Pagina 297
... Beethoven's music ) is in any sense program music is due to their feeling that any proposed " situation " is not only inadequate but even irrelevant . In denying the adequacy of any pro- posed situation to the musical effect they have ...
... Beethoven's music ) is in any sense program music is due to their feeling that any proposed " situation " is not only inadequate but even irrelevant . In denying the adequacy of any pro- posed situation to the musical effect they have ...
Pagina 332
... Beethoven or Wagner by its rhythmic , melodic , or harmonic structure . The characteristic form traits that artists impart to their diverse individual designs , it is true , often change considerably over time . Historians speak of the ...
... Beethoven or Wagner by its rhythmic , melodic , or harmonic structure . The characteristic form traits that artists impart to their diverse individual designs , it is true , often change considerably over time . Historians speak of the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York