A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 287
... Beethoven did make certain claims for his music and that Elizabeth , very romantic and somewhat unscrupulous , gave them what she thought was an effective presentation . The point is important because in this report is almost the only ...
... Beethoven did make certain claims for his music and that Elizabeth , very romantic and somewhat unscrupulous , gave them what she thought was an effective presentation . The point is important because in this report is almost the only ...
Pagina 288
... Beethoven must be treated with respect . It is impossible , Goethe feels , to be quite sure about the limitations of a genius of the Beethoven order . It would be advisable , then , before we dismiss Beethoven's ideas about the ...
... Beethoven must be treated with respect . It is impossible , Goethe feels , to be quite sure about the limitations of a genius of the Beethoven order . It would be advisable , then , before we dismiss Beethoven's ideas about the ...
Pagina 297
... Beethoven's music ) is in any sense program music is due to their feeling that any proposed " situation " is not only inadequate but even irrelevant . In denying the adequacy of any pro- posed situation to the musical effect they have ...
... Beethoven's music ) is in any sense program music is due to their feeling that any proposed " situation " is not only inadequate but even irrelevant . In denying the adequacy of any pro- posed situation to the musical effect they have ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York