A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 79
... Croce , " are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) pp . 33-34 . P. 268 . Joyce Cary ( 1888 ...
... Croce , " are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) pp . 33-34 . P. 268 . Joyce Cary ( 1888 ...
Pagina 212
... Croce in his identification of intuition and expression , and it has been explicitly developed by R. G. Collingwood ... Benedetto Croce to minimize the esthetic importance of the sensuous medium and the physical objects of nature ...
... Croce in his identification of intuition and expression , and it has been explicitly developed by R. G. Collingwood ... Benedetto Croce to minimize the esthetic importance of the sensuous medium and the physical objects of nature ...
Pagina 513
... Croce that communication is es- sential to art ) . Bergson , Henri , The Creative Mind , New York , 1946 . Introduction to Metaphysics , New York , 1912 . Laughter ... Croce , Benedetto , Aesthetic as Science of Expression CHAPTER FOUR 513 •
... Croce that communication is es- sential to art ) . Bergson , Henri , The Creative Mind , New York , 1946 . Introduction to Metaphysics , New York , 1912 . Laughter ... Croce , Benedetto , Aesthetic as Science of Expression CHAPTER FOUR 513 •
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York