A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina v
... Benedetto Croce , 1915 . Mrs. Gladys C. Quinton and Macmillan and Company , Ltd .: Aesthetic , by Benedetto Croce , translated by Douglas Ainslee , Second Edition , 1922 , reprinted by per- mission of the owner of the copyright , Mrs ...
... Benedetto Croce , 1915 . Mrs. Gladys C. Quinton and Macmillan and Company , Ltd .: Aesthetic , by Benedetto Croce , translated by Douglas Ainslee , Second Edition , 1922 , reprinted by per- mission of the owner of the copyright , Mrs ...
Pagina 79
... Croce , “ are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) pp . 3 Ibid . , p . 268 . Joyce ...
... Croce , “ are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) pp . 3 Ibid . , p . 268 . Joyce ...
Pagina 212
... Croce in his identification of intuition and expression , and it has been explicitly developed by R. G. Collingwood ... Benedetto Croce to minimize the esthetic importance of the sensuous medium and the physical objects of nature ...
... Croce in his identification of intuition and expression , and it has been explicitly developed by R. G. Collingwood ... Benedetto Croce to minimize the esthetic importance of the sensuous medium and the physical objects of nature ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York