A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 78
Incidentally, Bergson's brief remarks about tragedy stand in interesting contrast to
Aristotle's emphasis upon the universality of tragic characterization and plot.
Benedetto Croce (1866-1952), the most famous Italian philosopher of this century
, ...
Incidentally, Bergson's brief remarks about tragedy stand in interesting contrast to
Aristotle's emphasis upon the universality of tragic characterization and plot.
Benedetto Croce (1866-1952), the most famous Italian philosopher of this century
, ...
Pagina 79
"The forms of the spirit," declares Croce, "are distinct and not separate, and when
the spirit is found in one of its forms, or is explicit in it, the other forms are ... 2
Benedetto Croce, The Philosophy of the Practical (Macmillan, London, 1913) pp.
"The forms of the spirit," declares Croce, "are distinct and not separate, and when
the spirit is found in one of its forms, or is explicit in it, the other forms are ... 2
Benedetto Croce, The Philosophy of the Practical (Macmillan, London, 1913) pp.
Pagina 513
68-78 (agrees with Tolstoy rather than Croce that communication is essential to
art). Bergson, Henri, The Creative Mind, New ... The Philosophy of Benedetto
Croce: The Problem of Art and History, London, 19 17. Carritt, E. F., "Croce and
His ...
68-78 (agrees with Tolstoy rather than Croce that communication is essential to
art). Bergson, Henri, The Creative Mind, New ... The Philosophy of Benedetto
Croce: The Problem of Art and History, London, 19 17. Carritt, E. F., "Croce and
His ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
15 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York