A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina vi
... C. K. Ogden , I. A. Richards , and James Wood , 1922 . Princeton University Press : The Arts and the Art of Criticism , by Theodore Meyer Greene , 1940 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn ...
... C. K. Ogden , I. A. Richards , and James Wood , 1922 . Princeton University Press : The Arts and the Art of Criticism , by Theodore Meyer Greene , 1940 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn ...
Pagina 240
... C. K. Ogden have discriminated sixteen principal mean- ings of the word " meaning , " and have taken a whole book , The Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between ...
... C. K. Ogden have discriminated sixteen principal mean- ings of the word " meaning , " and have taken a whole book , The Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between ...
Pagina 443
An Anthology Melvin Miller Rader. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD Synaesthesis My master the celebrated ... C. K. OGDEN , I. A. RICHARDS , JAMES WOOD 443 • K OGDEN, Synaesthesis I A RICHARDS,
An Anthology Melvin Miller Rader. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD Synaesthesis My master the celebrated ... C. K. OGDEN , I. A. RICHARDS , JAMES WOOD 443 • K OGDEN, Synaesthesis I A RICHARDS,
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York