A Modern Book of Esthetics: An Anthology |
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Pagina 237
This was the period when such "formalists" as Clive Bell and Roger Fry exercised
their greatest influence. They challenged the esthetic relevance of sentimental
associations and directed attention to the great importance of plastic organization
...
This was the period when such "formalists" as Clive Bell and Roger Fry exercised
their greatest influence. They challenged the esthetic relevance of sentimental
associations and directed attention to the great importance of plastic organization
...
Pagina 302
group of intimate friends, including the philosophers G. E. Moore, the economist
John Maynard Keynes, the novelist Virginia Woolf, and the art critic Clive Bell. A
close study will reveal the indebtedness of both Fry and Bell to the ideas of
Moore ...
group of intimate friends, including the philosophers G. E. Moore, the economist
John Maynard Keynes, the novelist Virginia Woolf, and the art critic Clive Bell. A
close study will reveal the indebtedness of both Fry and Bell to the ideas of
Moore ...
Pagina 526
Abell, Walter, Representation and Form, New York, 1936 (reply to Frv and Bell).
Barnes, Albert C, "Plastic Form," The Art in Painting, New York, 1928. Beardsley,
Monroe C, Aesthetics, New York, 1958, Chs. 4-6. Bell, Clive, Art, New York, 1914.
Abell, Walter, Representation and Form, New York, 1936 (reply to Frv and Bell).
Barnes, Albert C, "Plastic Form," The Art in Painting, New York, 1928. Beardsley,
Monroe C, Aesthetics, New York, 1958, Chs. 4-6. Bell, Clive, Art, New York, 1914.
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ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |