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Pagina 237
... was the period when such " formalists " as Clive Bell and Roger Fry exercised
their greatest influence . They challenged the esthetic relevance of sentimental
associations and directed attention to the great importance of plastic organization
.
... was the period when such " formalists " as Clive Bell and Roger Fry exercised
their greatest influence . They challenged the esthetic relevance of sentimental
associations and directed attention to the great importance of plastic organization
.
Pagina 302
group of intimate friends , including the philosophers G . E . Moore , the
economist John Maynard Keynes , the novelist Virginia Woolf , and the art critic
Clive Bell . A close study will reveal the indebtedness of both Fry and Bell to the
ideas of ...
group of intimate friends , including the philosophers G . E . Moore , the
economist John Maynard Keynes , the novelist Virginia Woolf , and the art critic
Clive Bell . A close study will reveal the indebtedness of both Fry and Bell to the
ideas of ...
Pagina 526
Bell , Clive , Art , New York , 1914 . Vision and Design , London , 1920 . " The '
Difference of Literature , " Gotshalk , D. W. , Art and the Social OrNew Republic ,
Vol . 33 ( 1922 ) , pp . der , Chicago , 1947 , Ch . 5 . 18-19 . Greene , Theodore M.
Bell , Clive , Art , New York , 1914 . Vision and Design , London , 1920 . " The '
Difference of Literature , " Gotshalk , D. W. , Art and the Social OrNew Republic ,
Vol . 33 ( 1922 ) , pp . der , Chicago , 1947 , Ch . 5 . 18-19 . Greene , Theodore M.
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |