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Pagina 35
Many writers of the last century called the philosophy of beauty Criticism , and the word is still retained as the title for the reasoned appreciation of works of art . We could hardly speak , however , of delight in nature as criticism ...
Many writers of the last century called the philosophy of beauty Criticism , and the word is still retained as the title for the reasoned appreciation of works of art . We could hardly speak , however , of delight in nature as criticism ...
Pagina 476
An organistic critic makes no vague sweeping disapprovals . He is able to say precisely what is ... Incidentally , this sort of specific judgment also lays the critic himself wide open to criticism . He as well as the artist has shown ...
An organistic critic makes no vague sweeping disapprovals . He is able to say precisely what is ... Incidentally , this sort of specific judgment also lays the critic himself wide open to criticism . He as well as the artist has shown ...
Pagina 532
Construction and Criticism , New York , 1938 . Ducasse , C. J. , Art , the Critics , and You , New York , 1944 . --The Philosophy of Art , New York , 1929 , Ch . 15 . Eliot , T. S. , The Classics and the Man of Letters , Oxford , 1942 .
Construction and Criticism , New York , 1938 . Ducasse , C. J. , Art , the Critics , and You , New York , 1944 . --The Philosophy of Art , New York , 1929 , Ch . 15 . Eliot , T. S. , The Classics and the Man of Letters , Oxford , 1942 .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York