Dall'interno del libro
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Heyl , Bernard C. , New Bearings in Es493-515 . thetics and Art Criticism , New
Haven , Church , Ralph , An Essay on Critical 1943 Appreciation , Ithaca , 1938 . “
Relativism Again , ” Journal of Cohen , R. , " David Hume's Experimen Aesthetics
...
Heyl , Bernard C. , New Bearings in Es493-515 . thetics and Art Criticism , New
Haven , Church , Ralph , An Essay on Critical 1943 Appreciation , Ithaca , 1938 . “
Relativism Again , ” Journal of Cohen , R. , " David Hume's Experimen Aesthetics
...
Pagina 533
The Work of Art , Bloomington , Stauffer , D. A. ( editor ) , The Intent of 1955 , Chs .
2-3 , 5 . the Critic , Princeton , 1941 . ... Trowbridge , Hoyt , “ Aristotle and the The
World's Body , New York , New Criticism , ” Sewanee Review , 1938 . Vol .
The Work of Art , Bloomington , Stauffer , D. A. ( editor ) , The Intent of 1955 , Chs .
2-3 , 5 . the Critic , Princeton , 1941 . ... Trowbridge , Hoyt , “ Aristotle and the The
World's Body , New York , New Criticism , ” Sewanee Review , 1938 . Vol .
Pagina 532
270 - 89 . Dewey , John , Art as Experience , New York , 1934 , Ch . 13 . - - -
Construction and Criticism , New York , 1938 . Ducasse , C . J . , Art , the Critics ,
and You , New York , 1944 . - - - The Philosophy of Art , New York , 1929 , Ch . 15
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270 - 89 . Dewey , John , Art as Experience , New York , 1934 , Ch . 13 . - - -
Construction and Criticism , New York , 1938 . Ducasse , C . J . , Art , the Critics ,
and You , New York , 1944 . - - - The Philosophy of Art , New York , 1929 , Ch . 15
.
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York