A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 79
... Croce , " are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it , the other forms are also in it , but implicit . " 2 For example , thinking involves doing , and vice versa . Also ...
... Croce , " are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it , the other forms are also in it , but implicit . " 2 For example , thinking involves doing , and vice versa . Also ...
Pagina 212
... Croce , Collingwood , and Sartre . A somewhat similar criticism of Croce , although written from a very different philosophical standpoint , is advanced by Bernard Bosanquet ( 1848-1923 ) , a distinguished British philosopher . Art , he ...
... Croce , Collingwood , and Sartre . A somewhat similar criticism of Croce , although written from a very different philosophical standpoint , is advanced by Bernard Bosanquet ( 1848-1923 ) , a distinguished British philosopher . Art , he ...
Pagina 513
... Croce's Aesthetic , " Mind , Vol . 29 ( 1920 ) , pp . 212-15 . " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919- 1920 ) , pp . 261-88 . Carr , Herbert Wildon , " Mr. Bosanquet on Croce's Aesthetic , " Mind ...
... Croce's Aesthetic , " Mind , Vol . 29 ( 1920 ) , pp . 212-15 . " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919- 1920 ) , pp . 261-88 . Carr , Herbert Wildon , " Mr. Bosanquet on Croce's Aesthetic , " Mind ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York