A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 79
(b) Morality, the pursuit of universal ends. Value: the morally good; disvalue, the
morally evil. These divisions are not sharp. "The forms of the spirit," declares
Croce, "are distinct and not separate, and when the spirit is found in one of its
forms, ...
(b) Morality, the pursuit of universal ends. Value: the morally good; disvalue, the
morally evil. These divisions are not sharp. "The forms of the spirit," declares
Croce, "are distinct and not separate, and when the spirit is found in one of its
forms, ...
Pagina 212
This point of view is implied by Croce in his identification of intuition and
expression, and it has been explicitly developed by R. G. Collingwood in The
Principles of Art and by Jean-Paul Sartre in The Psychology of Imagination.
Likewise the ...
This point of view is implied by Croce in his identification of intuition and
expression, and it has been explicitly developed by R. G. Collingwood in The
Principles of Art and by Jean-Paul Sartre in The Psychology of Imagination.
Likewise the ...
Pagina 513
Abercrombie, Lascelles, "Communication versus Expression in Art," British
Journal of Psychology, Vol. 14 (1923), pp. 68-78 (agrees with Tolstoy rather than
Croce that communication is essential to art). Bergson, Henri, The Creative Mind,
New ...
Abercrombie, Lascelles, "Communication versus Expression in Art," British
Journal of Psychology, Vol. 14 (1923), pp. 68-78 (agrees with Tolstoy rather than
Croce that communication is essential to art). Bergson, Henri, The Creative Mind,
New ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York