A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 79
... Croce , “ are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it , the other forms are also in it , but implicit . " 2 For example , thinking involves doing , and vice versa . Also ...
... Croce , “ are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it , the other forms are also in it , but implicit . " 2 For example , thinking involves doing , and vice versa . Also ...
Pagina 212
... Croce , Collingwood , and Sartre . A somewhat similar criticism of Croce , although written from a very different philosophical standpoint , is advanced by Bernard Bosanquet ( 1848-1923 ) , a distinguished British philosopher . Art , he ...
... Croce , Collingwood , and Sartre . A somewhat similar criticism of Croce , although written from a very different philosophical standpoint , is advanced by Bernard Bosanquet ( 1848-1923 ) , a distinguished British philosopher . Art , he ...
Pagina 513
... Croce's Aesthetic , " Mind , Vol . 29 ( 1920 ) , pp . 212-15 . " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919- 1920 ) , pp . 261-88 . Carr , Herbert Wildon , " Mr. Bosanquet on Croce's Aesthetic , " Mind ...
... Croce's Aesthetic , " Mind , Vol . 29 ( 1920 ) , pp . 212-15 . " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919- 1920 ) , pp . 261-88 . Carr , Herbert Wildon , " Mr. Bosanquet on Croce's Aesthetic , " Mind ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York