A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 394
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
Pagina 399
... Distance . ( It is , by the way , one of the reasons why Criticism is an art , for it requires the constant ... Distance without its disappearance . 3. Closely related , in fact a presupposition to the " antinomy , " is the vari- ability ...
... Distance . ( It is , by the way , one of the reasons why Criticism is an art , for it requires the constant ... Distance without its disappearance . 3. Closely related , in fact a presupposition to the " antinomy , " is the vari- ability ...
Pagina 409
... Distance has often been consciously striven after , whether with esthetically satisfactory results is much disputed . A general help towards Distance ( and therewith an anti - realistic feature ) is to be found in the " unification of ...
... Distance has often been consciously striven after , whether with esthetically satisfactory results is much disputed . A general help towards Distance ( and therewith an anti - realistic feature ) is to be found in the " unification of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York