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Pagina 394
EDWARD BULLOUGH " Psychical Distance " and a Factor in Art and an Esthetic Principle I. 1. Meaning of the term " Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
EDWARD BULLOUGH " Psychical Distance " and a Factor in Art and an Esthetic Principle I. 1. Meaning of the term " Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
Pagina 399
practical activities , involving their concrete personality and constantly endanger- ing their Distance . ( It is , by the way , one of the reasons why Criticism is an art , for it requires the constant interchange from the practical to ...
practical activities , involving their concrete personality and constantly endanger- ing their Distance . ( It is , by the way , one of the reasons why Criticism is an art , for it requires the constant interchange from the practical to ...
Pagina 409
For decorative purposes , in pictorial renderings of vistas , garden - perspectives and architectural extensions , the removal of Distance has often been consciously striven after , whether with esthetically satisfactory results is much ...
For decorative purposes , in pictorial renderings of vistas , garden - perspectives and architectural extensions , the removal of Distance has often been consciously striven after , whether with esthetically satisfactory results is much ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |