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Pagina 394
EDWARD BULLOUGH “ Psychical Distance ” and a Factor in Art and an Esthetic Principle I. 1. Meaning of the term “ Distance . ” 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
EDWARD BULLOUGH “ Psychical Distance ” and a Factor in Art and an Esthetic Principle I. 1. Meaning of the term “ Distance . ” 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
Pagina 399
practical activities , involving their concrete personality and constantly endangering their Distance . ( It is , by the way , one of the reasons why Criticism is an art , for it requires the constant interchange from the practical to ...
practical activities , involving their concrete personality and constantly endangering their Distance . ( It is , by the way , one of the reasons why Criticism is an art , for it requires the constant interchange from the practical to ...
Pagina 400
a designed for a class of appreciation which has difficulty to rise spontaneously to any degree of Distance . The consequence of a loss of Distance through one or other cause is familiar : the verdict in the case of under - distancing ...
a designed for a class of appreciation which has difficulty to rise spontaneously to any degree of Distance . The consequence of a loss of Distance through one or other cause is familiar : the verdict in the case of under - distancing ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York