A Modern Book of Esthetics: An Anthology |
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Pagina 394
Meaning of the term "Distance." 2. Distance as a factor in Art. 3. Distance as an
esthetic principle. II. 1. Distance describes a personal relation. 2. The antinomy of
Distance. 3. The variability of Distance. 4. Distance as the psychological ...
Meaning of the term "Distance." 2. Distance as a factor in Art. 3. Distance as an
esthetic principle. II. 1. Distance describes a personal relation. 2. The antinomy of
Distance. 3. The variability of Distance. 4. Distance as the psychological ...
Pagina 399
practical activities, involving their concrete personality and constantly
endangering their Distance. (It is, by the way, one of the reasons why Criticism is
an art, for it requires the constant interchange from the practical to the distanced
attitude ...
practical activities, involving their concrete personality and constantly
endangering their Distance. (It is, by the way, one of the reasons why Criticism is
an art, for it requires the constant interchange from the practical to the distanced
attitude ...
Pagina 400
designed for a class of appreciation which has difficulty to rise spontaneouslv to
any degree of Distance. The consequence of a loss of Distance through one or
other cause is familiar: the verdict in the case of under-distancing is that the work
is ...
designed for a class of appreciation which has difficulty to rise spontaneouslv to
any degree of Distance. The consequence of a loss of Distance through one or
other cause is familiar: the verdict in the case of under-distancing is that the work
is ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |