A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 489
... Epic poets were succeeded by Tragedians , since the drama was a larger and higher form of art . Whether Tragedy has as yet perfected its proper types or not ; and whether it is to be judged in itself , or in relation also to the ...
... Epic poets were succeeded by Tragedians , since the drama was a larger and higher form of art . Whether Tragedy has as yet perfected its proper types or not ; and whether it is to be judged in itself , or in relation also to the ...
Pagina 501
... epics , and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarging its dimensions , and we can see the reason . In Tragedy we cannot imitate ...
... epics , and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarging its dimensions , and we can see the reason . In Tragedy we cannot imitate ...
Pagina 504
... Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . Being then unrefined , it is evidently the lower of the two . Now , in the first place , this censure attaches not to the ...
... Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . Being then unrefined , it is evidently the lower of the two . Now , in the first place , this censure attaches not to the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York