A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 489
... Poetry . Poetry now diverged in two directions , according to the individual ... Epic poets were succeeded by Tragedians , since the drama was a larger and ... epic poetry and tragedy . ] Comedy is , as we have said , an ...
... Poetry . Poetry now diverged in two directions , according to the individual ... Epic poets were succeeded by Tragedians , since the drama was a larger and ... epic poetry and tragedy . ] Comedy is , as we have said , an ...
Pagina 501
... poems on a smaller scale than the old epics , and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarging its dimensions , and we can see the ...
... poems on a smaller scale than the old epics , and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarging its dimensions , and we can see the ...
Pagina 504
... Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . Being then unrefined , it is evidently the lower of the two . Now , in the first place , this censure attaches not to the poetic ...
... Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . Being then unrefined , it is evidently the lower of the two . Now , in the first place , this censure attaches not to the poetic ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York