A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina v
... George Santayana , copyright 1896 by Charles Scribner's Sons and 1924 by George Santayana . Oxford University Press : What Is Art ? by Leo Tolstoy , in the " World's Classics " series , translated by Aylmer Maude , copyright 1930 by ...
... George Santayana , copyright 1896 by Charles Scribner's Sons and 1924 by George Santayana . Oxford University Press : What Is Art ? by Leo Tolstoy , in the " World's Classics " series , translated by Aylmer Maude , copyright 1930 by ...
Pagina 24
... Santayana has said , is the result of a " conformity between the soul and nature , " and thus is a sign of " the ... George Santayana ( 1863-1952 ) was familiar with the Greek and Catholic tradition of which Maritain has been a ...
... Santayana has said , is the result of a " conformity between the soul and nature , " and thus is a sign of " the ... George Santayana ( 1863-1952 ) was familiar with the Greek and Catholic tradition of which Maritain has been a ...
Pagina 34
... GEORGE SANTAYANA The Nature of Beauty The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase of the ... GEORGE SANTAYANA: The Nature of Beauty.
... GEORGE SANTAYANA The Nature of Beauty The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase of the ... GEORGE SANTAYANA: The Nature of Beauty.
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York