A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 242
... Kenyon Review , and Foundations of the Theory of Signs ( International Encyclopedia of Unified Science , vol . I , no . 2 ) , University of Chicago Press , 1938 . tivities and their interrelations by a study of the nature 242 ...
... Kenyon Review , and Foundations of the Theory of Signs ( International Encyclopedia of Unified Science , vol . I , no . 2 ) , University of Chicago Press , 1938 . tivities and their interrelations by a study of the nature 242 ...
Pagina 248
... Kenyon Review , Volume I ( 1939 ) SUSANNE K. LANGER Expressiveness and Symbolism I. Expressiveness When we talk about " Art " with a capital “ A ” —that is , about any or all of the arts : painting , sculpture , architecture , the ...
... Kenyon Review , Volume I ( 1939 ) SUSANNE K. LANGER Expressiveness and Symbolism I. Expressiveness When we talk about " Art " with a capital “ A ” —that is , about any or all of the arts : painting , sculpture , architecture , the ...
Pagina 517
... Kenyon Review , Vol . 2 ( 1940 ) , pp . 152-73 . 1951 . Campbell , Joseph , The Hero with a Thousand Faces , New York , 1956 . Frye , Northrop , " The Archetypes of Lit- erature , " Kenyon Review , Vol . 13 ( 1951 ) , pp . 92-110 ...
... Kenyon Review , Vol . 2 ( 1940 ) , pp . 152-73 . 1951 . Campbell , Joseph , The Hero with a Thousand Faces , New York , 1956 . Frye , Northrop , " The Archetypes of Lit- erature , " Kenyon Review , Vol . 13 ( 1951 ) , pp . 92-110 ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York