A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina vi
... Kenyon Review : " Science , Art , and Tech- nology , " by Charles Morris , Kenyon Review , Volume I ( 1939 ) . Charles Scribner's Sons and Routledge and Kegan Paul , Ltd .: Problems of Art , by Susanne K. Langer , copyright © 1957 by ...
... Kenyon Review : " Science , Art , and Tech- nology , " by Charles Morris , Kenyon Review , Volume I ( 1939 ) . Charles Scribner's Sons and Routledge and Kegan Paul , Ltd .: Problems of Art , by Susanne K. Langer , copyright © 1957 by ...
Pagina 242
... Kenyon Review , and Foundations of the Theory of Signs ( International Encyclopedia of Unified Science , vol . I , no . 2 ) , University of Chicago Press , 1938 . tivities and their interrelations by a study of the nature 242 ...
... Kenyon Review , and Foundations of the Theory of Signs ( International Encyclopedia of Unified Science , vol . I , no . 2 ) , University of Chicago Press , 1938 . tivities and their interrelations by a study of the nature 242 ...
Pagina 517
... Kenyon Review , Vol . 13 ( 1951 ) , pp . 92-110 . Hyman , Stanley E. , " Maud Bodkin and Psychological Criticism , " The Armed Vision , New York , 1948 . Jacobi , Jolan , Complex , Archetype , Sym- bol in the Psychology of C. G. Jung ...
... Kenyon Review , Vol . 13 ( 1951 ) , pp . 92-110 . Hyman , Stanley E. , " Maud Bodkin and Psychological Criticism , " The Armed Vision , New York , 1948 . Jacobi , Jolan , Complex , Archetype , Sym- bol in the Psychology of C. G. Jung ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York