A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina vi
... Morris Weitz and Thomas Munro , editor of The Journal of Aesthetics and Art Criti- cism : " The Role of Theory in Aesthetics , " by Morris Weitz , in The Journal of Aesthetics and Art Criticism , Volume 15 , September 1956 . A. A. ...
... Morris Weitz and Thomas Munro , editor of The Journal of Aesthetics and Art Criti- cism : " The Role of Theory in Aesthetics , " by Morris Weitz , in The Journal of Aesthetics and Art Criticism , Volume 15 , September 1956 . A. A. ...
Pagina 199
... MORRIS WEITZ The Role of Theory in Esthetics Theory has been central in esthetics and is still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of ... MORRIS WEITZ 199 MORRIS WEITZ:
... MORRIS WEITZ The Role of Theory in Esthetics Theory has been central in esthetics and is still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of ... MORRIS WEITZ 199 MORRIS WEITZ:
Pagina 519
... Weitz , Morris , " The Role of Theory in " Beardsley , Monroe C. , Aesthetics , New York , 1958 , Ch . 1 . Collingwood , R. G. , The Principles of Art , Oxford , 1938 , Ch . 7 . Creegan , R. F. , " The Significance of Locating the Art ...
... Weitz , Morris , " The Role of Theory in " Beardsley , Monroe C. , Aesthetics , New York , 1958 , Ch . 1 . Collingwood , R. G. , The Principles of Art , Oxford , 1938 , Ch . 7 . Creegan , R. F. , " The Significance of Locating the Art ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York