A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 385
... psychological needs , satisfies psycho- logical needs .... The worth of an art - work , which we call its beauty , lies generally speaking in its values as a means to happiness . These values stand naturally in a causal relation to the ...
... psychological needs , satisfies psycho- logical needs .... The worth of an art - work , which we call its beauty , lies generally speaking in its values as a means to happiness . These values stand naturally in a causal relation to the ...
Pagina 513
... Beauty Is Not All : A v York , 1944 . The Philosophy of Art , New York ... Psychology , Vol . 14 ( 1923 ) , pp . 68-78 ( agrees with Tolstoy rather ... Beauty , London , 1928 , Ch . 8 . What is Beauty , Oxford , 1932 , Ch . 6 . Cary ...
... Beauty Is Not All : A v York , 1944 . The Philosophy of Art , New York ... Psychology , Vol . 14 ( 1923 ) , pp . 68-78 ( agrees with Tolstoy rather ... Beauty , London , 1928 , Ch . 8 . What is Beauty , Oxford , 1932 , Ch . 6 . Cary ...
Pagina 530
... Aesthetic Pres- ence of the Body , " Journal of Aes- thetics , Vol . 15 ( 1957 ) , pp . 425-34 ( compare with Kenneth ... Psychology of Beauty , Boston , 1905 ( similar to Ogden , Rich- ards , and Wood ) . Richards , I. A. , Coleridge on ...
... Aesthetic Pres- ence of the Body , " Journal of Aes- thetics , Vol . 15 ( 1957 ) , pp . 425-34 ( compare with Kenneth ... Psychology of Beauty , Boston , 1905 ( similar to Ogden , Rich- ards , and Wood ) . Richards , I. A. , Coleridge on ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York