A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 301
An Anthology Melvin Miller Rader. CHAPTER TEN Form ROGER FRY Pure and Impure Art A. C. BRADLEY Poetry for Poetry's ... Roger Fry ( 1886-1934 ) . The ideas of Fry were greatly influenced by " the Bloomsbury circle , " a group of intimate ...
An Anthology Melvin Miller Rader. CHAPTER TEN Form ROGER FRY Pure and Impure Art A. C. BRADLEY Poetry for Poetry's ... Roger Fry ( 1886-1934 ) . The ideas of Fry were greatly influenced by " the Bloomsbury circle , " a group of intimate ...
Pagina 478
... Roger Fry is an example . He seems to me one of the keenest and most rewarding critics yet to appear in the visual arts . But somehow he got the notion that the materials of a visual work of art must be limited to those that stimulate ...
... Roger Fry is an example . He seems to me one of the keenest and most rewarding critics yet to appear in the visual arts . But somehow he got the notion that the materials of a visual work of art must be limited to those that stimulate ...
Pagina 527
... Roger Fry : A Biography , New York , 1940 . Berenson , Bernard , Aesthetics and His- tory , New York , 1948 . Boas , Franz , Primitive Art , Cambridge , Mass . , 1927 . Boas , George , " Historical Periods , " Jour- nal of Aesthetics ...
... Roger Fry : A Biography , New York , 1940 . Berenson , Bernard , Aesthetics and His- tory , New York , 1948 . Boas , Franz , Primitive Art , Cambridge , Mass . , 1927 . Boas , George , " Historical Periods , " Jour- nal of Aesthetics ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York