A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 301
... , has been formulated by the famous English critic , Roger Fry ( 1886-1934 ) . The ideas of Fry were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosophers G. E. 301 TEN: FORM,
... , has been formulated by the famous English critic , Roger Fry ( 1886-1934 ) . The ideas of Fry were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosophers G. E. 301 TEN: FORM,
Pagina 304
... ROGER FRY Pure and Impure Art There is such a thing as impure or useful science , and , if you were to analyze that activity , you would find all sorts of biological motives at work , al- though the fundamental ... ROGER FRY: Pure and Impure.
... ROGER FRY Pure and Impure Art There is such a thing as impure or useful science , and , if you were to analyze that activity , you would find all sorts of biological motives at work , al- though the fundamental ... ROGER FRY: Pure and Impure.
Pagina 478
... Roger Fry is an example . He seems to me one of the keenest and most rewarding critics yet to appear in the visual arts . But somehow he notion that the materials of a visual work of art must be limited to those that stimulate the eye ...
... Roger Fry is an example . He seems to me one of the keenest and most rewarding critics yet to appear in the visual arts . But somehow he notion that the materials of a visual work of art must be limited to those that stimulate the eye ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York