A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 368
... Lipps ' Raumaesthetik , which contained the first detailed exposition of the theory of empathy , was published in ... Theodor Lipps ( 1851-1941 ) ,. 1 Vernon Lee and C. Anstruther - Thomson , Beauty and Ugliness and other Studies in ...
... Lipps ' Raumaesthetik , which contained the first detailed exposition of the theory of empathy , was published in ... Theodor Lipps ( 1851-1941 ) ,. 1 Vernon Lee and C. Anstruther - Thomson , Beauty and Ugliness and other Studies in ...
Pagina 368
... Lipps ' Raumaes- thetik , which contained the first detailed exposition of the theory of empathy , was published in 1893-7 , but did not become known to Lee until 1899. Her own ... Theodor Lipps ( 1851-1941 ) , 368 EMPATHY AND ABSTRACTION.
... Lipps ' Raumaes- thetik , which contained the first detailed exposition of the theory of empathy , was published in 1893-7 , but did not become known to Lee until 1899. Her own ... Theodor Lipps ( 1851-1941 ) , 368 EMPATHY AND ABSTRACTION.
Pagina 369
An Anthology Melvin Miller Rader. In the pages of Theodor Lipps ( 1851-1941 ) , the theory of empathy becomes explicit and profound , but the germ of his doctrine is to be found in various German predecessors . Thus in Herder we find the ...
An Anthology Melvin Miller Rader. In the pages of Theodor Lipps ( 1851-1941 ) , the theory of empathy becomes explicit and profound , but the germ of his doctrine is to be found in various German predecessors . Thus in Herder we find the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York