A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 367
... WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES PRESENTED in earlier chapters have thrown light on the nature of esthetic appreciation . The characterization of esthetic experience by Lange , Santayana ...
... WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES PRESENTED in earlier chapters have thrown light on the nature of esthetic appreciation . The characterization of esthetic experience by Lange , Santayana ...
Pagina 382
... WILHELM WORRINGER Abstraction and Empathy The aim of the following discussion is to disprove the assumption that [ the ] process of empathy has been at all times and places the basis of artistic creation . With the theory of empathy in ...
... WILHELM WORRINGER Abstraction and Empathy The aim of the following discussion is to disprove the assumption that [ the ] process of empathy has been at all times and places the basis of artistic creation . With the theory of empathy in ...
Pagina 385
... exclusively in the sense of Greco- Roman antiquity or of the Renaissance , all valuations from a higher standpoint are inanities and platitudes After this necessary digression we return to the starting - WILHELM WORRINGER 385 •
... exclusively in the sense of Greco- Roman antiquity or of the Renaissance , all valuations from a higher standpoint are inanities and platitudes After this necessary digression we return to the starting - WILHELM WORRINGER 385 •
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York