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Schoen , Max , Art and Beauty , New York , 1932 , Ch . 4 . Human Nature , New York , 1930 , Ch . 11 . Shahn , Ben , The Shape of Content , Cambridge , Mass . , 1957 . Smith , Paul ( editor ) , Creativity , New York , 1959 .
Schoen , Max , Art and Beauty , New York , 1932 , Ch . 4 . Human Nature , New York , 1930 , Ch . 11 . Shahn , Ben , The Shape of Content , Cambridge , Mass . , 1957 . Smith , Paul ( editor ) , Creativity , New York , 1959 .
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D. v York , 1944 . The Philosophy of Art , New York , " Some Questions in Aesthetics , " ist , Vol . 42 ( 1932 ) , PP . 42-59 . " What Has Beauty to Do with Acus Journal of Philosophy , Vol . 25 ( hin 8 ) , pp . 181-85 .
D. v York , 1944 . The Philosophy of Art , New York , " Some Questions in Aesthetics , " ist , Vol . 42 ( 1932 ) , PP . 42-59 . " What Has Beauty to Do with Acus Journal of Philosophy , Vol . 25 ( hin 8 ) , pp . 181-85 .
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Wellek , Rene , and Warren , Austin , The Theory of Literature , New York , 1942 , Ch . 12 . Alexander , Samuel , Art and the Material , Manchester , 1925 . Arnheim , Rudolf , Film as Art , Berkeley , 1958 . Babbitt , Irving , The New ...
Wellek , Rene , and Warren , Austin , The Theory of Literature , New York , 1942 , Ch . 12 . Alexander , Samuel , Art and the Material , Manchester , 1925 . Arnheim , Rudolf , Film as Art , Berkeley , 1958 . Babbitt , Irving , The New ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York