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Schoen , Max , Art and Beauty , New York , 1932 , Ch . 4 . Human Nature , New York , 1930 , Ch . 11 . Shahn , Ben , The Shape of Content , Cambridge , Mass . , 1957 . Smith , Paul ( editor ) , Creativity , New York , 1959 .
Schoen , Max , Art and Beauty , New York , 1932 , Ch . 4 . Human Nature , New York , 1930 , Ch . 11 . Shahn , Ben , The Shape of Content , Cambridge , Mass . , 1957 . Smith , Paul ( editor ) , Creativity , New York , 1959 .
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D. v York , 1944 . The Philosophy of Art , New York , " Some Questions in Aesthetics , " ist , Vol . 42 ( 1932 ) , PP . 42-59 . " What Has Beauty to Do with Acus Journal of Philosophy , Vol . 25 ( hin 8 ) , pp . 181-85 .
D. v York , 1944 . The Philosophy of Art , New York , " Some Questions in Aesthetics , " ist , Vol . 42 ( 1932 ) , PP . 42-59 . " What Has Beauty to Do with Acus Journal of Philosophy , Vol . 25 ( hin 8 ) , pp . 181-85 .
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Wellek , Rene , and Warren , Austin , The Theory of Literature , New York , 1942 , Ch . 12 . Alexander , Samuel , Art and the Material , Manchester , 1925 . Arnheim , Rudolf , Film as Art , Berkeley , 1958 . Babbitt , Irving , The New ...
Wellek , Rene , and Warren , Austin , The Theory of Literature , New York , 1942 , Ch . 12 . Alexander , Samuel , Art and the Material , Manchester , 1925 . Arnheim , Rudolf , Film as Art , Berkeley , 1958 . Babbitt , Irving , The New ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York