A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Risultati 1-3 di 37
Pagina 239
... ( Library of Congress , Wash- ington , D. C. , 1952 ) , p . 18 . 3 Susanne K. Langer , Feeling and Form ( Scribner's , New York , 1953 ) , p . 27 . ple , what you perceive when you watch the flames INTRODUCTORY NOTE 239 •
... ( Library of Congress , Wash- ington , D. C. , 1952 ) , p . 18 . 3 Susanne K. Langer , Feeling and Form ( Scribner's , New York , 1953 ) , p . 27 . ple , what you perceive when you watch the flames INTRODUCTORY NOTE 239 •
Pagina 513
... York , 1944 . The Philosophy of Art , New York , " Some Questions in Aesthetics , " ist , Vol . 42 ( 1932 ) , PP . 42-59 . " What Has Beauty to Do with Acus Journal of Philosophy , Vol . 25 ( hin 8 ) , pp . 181-85 . Plea for Esthetic ...
... York , 1944 . The Philosophy of Art , New York , " Some Questions in Aesthetics , " ist , Vol . 42 ( 1932 ) , PP . 42-59 . " What Has Beauty to Do with Acus Journal of Philosophy , Vol . 25 ( hin 8 ) , pp . 181-85 . Plea for Esthetic ...
Pagina 522
... York , 1949 . Burke , Kenneth , A Grammar of Mo- tives , New York , 1945 . A Rhetoric of Motives , New York , 1950 . " Semantic and Poetic Meaning , " Southern Review , Vol . 4 ( 1939 ) , pp . 501-23 . Carver , G. A. , Aesthetics and ...
... York , 1949 . Burke , Kenneth , A Grammar of Mo- tives , New York , 1945 . A Rhetoric of Motives , New York , 1950 . " Semantic and Poetic Meaning , " Southern Review , Vol . 4 ( 1939 ) , pp . 501-23 . Carver , G. A. , Aesthetics and ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York