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Pagina 522
York , 1959 . Barfield , Owen , Poetic Diction : A Study Meaning and Truth in the
Arts , in Meaning , London , 1928 . Chapel ... Beardsley , Monroe C. , Aesthetics ,
New Hungerland , Isabel Creed , " Iconic Signs York , 1958 , Chs . 3 , 5-9 . and ...
York , 1959 . Barfield , Owen , Poetic Diction : A Study Meaning and Truth in the
Arts , in Meaning , London , 1928 . Chapel ... Beardsley , Monroe C. , Aesthetics ,
New Hungerland , Isabel Creed , " Iconic Signs York , 1958 , Chs . 3 , 5-9 . and ...
Pagina 526
Chapter Ten FORM York , 1949 . Form in General Abell , Walter , Representation
and Form , New York , 1929 , Ch . 13 and AppenNew York , 1936 ( reply to Fry
and dix . Bell ) . Eliot , T. S. , “ The Music of Poetry , ” On Barnes , Albert C.
Chapter Ten FORM York , 1949 . Form in General Abell , Walter , Representation
and Form , New York , 1929 , Ch . 13 and AppenNew York , 1936 ( reply to Fry
and dix . Bell ) . Eliot , T. S. , “ The Music of Poetry , ” On Barnes , Albert C.
Pagina 527
324New York , 1949 , Ch . 9 . 33 . Scientific Method in Aesthetics , Thompson , D'
Arcy Wentworth , On New York , 1928 , Ch . 2 . Growth and Form , Cambridge ,
Eng . , Nobbs , Percy , Design , London , 1937 . 1942 . Parker , DeWitt H. , The ...
324New York , 1949 , Ch . 9 . 33 . Scientific Method in Aesthetics , Thompson , D'
Arcy Wentworth , On New York , 1928 , Ch . 2 . Growth and Form , Cambridge ,
Eng . , Nobbs , Percy , Design , London , 1937 . 1942 . Parker , DeWitt H. , The ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York