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York , 1959 . Barfield , Owen , Poetic Diction : A Study Meaning and Truth in the Arts , in Meaning , London , 1928 . ... Beardsley , Monroe C. , Aesthetics , New Hungerland , Isabel Creed , " Iconic Signs York , 1958 , Chs . 3 , 5-9 ...
York , 1959 . Barfield , Owen , Poetic Diction : A Study Meaning and Truth in the Arts , in Meaning , London , 1928 . ... Beardsley , Monroe C. , Aesthetics , New Hungerland , Isabel Creed , " Iconic Signs York , 1958 , Chs . 3 , 5-9 ...
Pagina 526
Chapter Ten FORM ܝ York , 1949 . Form in General Abell , Walter , Representation and Form , New York , 1929 , Ch . 13 and AppenNew York , 1936 ( reply to Fry and dix . Bell ) . Eliot , T. S. , “ The Music of Poetry , ” On Barnes ...
Chapter Ten FORM ܝ York , 1949 . Form in General Abell , Walter , Representation and Form , New York , 1929 , Ch . 13 and AppenNew York , 1936 ( reply to Fry and dix . Bell ) . Eliot , T. S. , “ The Music of Poetry , ” On Barnes ...
Pagina 527
Visual Arts and Music , " Journal of The Interrelations of the Arts , Aesthetics , Vol . 1 ( 1953 ) , pp . 324New York , 1949 , Ch . 9 . 33 . Scientific Method in Aesthetics , Thompson , D'Arcy Wentworth , On New York , 1928 , Ch . 2 .
Visual Arts and Music , " Journal of The Interrelations of the Arts , Aesthetics , Vol . 1 ( 1953 ) , pp . 324New York , 1949 , Ch . 9 . 33 . Scientific Method in Aesthetics , Thompson , D'Arcy Wentworth , On New York , 1928 , Ch . 2 .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York