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Pagina xxviii
Noting that a work of art is highly individual and that artists shun mere abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception .
Noting that a work of art is highly individual and that artists shun mere abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception .
Pagina 250
meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its most abstract sense means structure ...
meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its most abstract sense means structure ...
Pagina 252
The logical form itself is not another thing , but an abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all ...
The logical form itself is not another thing , but an abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |