A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina xxviii
... abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception . A par- ticular , he supposed , was a unique quality apprehended by an ...
... abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception . A par- ticular , he supposed , was a unique quality apprehended by an ...
Pagina 250
... abstract ; " form " in its most abstract sense means structure , articula- tion , a whole resulting from the relation of mutually dependent factors , or more precisely , the way that whole is put together . The abstract sense , which is ...
... abstract ; " form " in its most abstract sense means structure , articula- tion , a whole resulting from the relation of mutually dependent factors , or more precisely , the way that whole is put together . The abstract sense , which is ...
Pagina 252
... abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all about their operation and then applying our knowledge ...
... abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all about their operation and then applying our knowledge ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York