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Pagina 317
To consider separately the action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does ...
To consider separately the action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does ...
Pagina 445
work together , and such disciplined coordination in action is much to be desired in other places . When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or ...
work together , and such disciplined coordination in action is much to be desired in other places . When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or ...
Pagina 493
Unity of plot consists not in unity of hero , but in unity of action . ... are the incidents in one man's life which cannot be reduced to unity ; and so , too , there are many actions of one man out of which we cannot make one action .
Unity of plot consists not in unity of hero , but in unity of action . ... are the incidents in one man's life which cannot be reduced to unity ; and so , too , there are many actions of one man out of which we cannot make one action .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |