A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 96
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dramatic unity are interesting in this connection ; they are first applied to the unity of " action ...
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dramatic unity are interesting in this connection ; they are first applied to the unity of " action ...
Pagina 317
... action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does not really think of them ...
... action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does not really think of them ...
Pagina 493
... actions of one man out of which we cannot make one action . Hence the error , as it appears , of all poets who have composed a Heracleid , a Theseid , or other poems of the kind . They imagine that as Heracles was one man , the story of ...
... actions of one man out of which we cannot make one action . Hence the error , as it appears , of all poets who have composed a Heracleid , a Theseid , or other poems of the kind . They imagine that as Heracles was one man , the story of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York