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Pagina 317
To consider separately the action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does ...
To consider separately the action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does ...
Pagina 445
work together , and such disciplined coordination in action is much to be desired in other places . When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or ...
work together , and such disciplined coordination in action is much to be desired in other places . When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or ...
Pagina 493
Unity of plot consists not in unity of hero , but in unity of action . ... are the incidents in one man's life which cannot be reduced to unity ; and so , too , there are many actions of one man out of which we cannot make one action .
Unity of plot consists not in unity of hero , but in unity of action . ... are the incidents in one man's life which cannot be reduced to unity ; and so , too , there are many actions of one man out of which we cannot make one action .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |