Dall'interno del libro
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Pagina 317
To consider separately the action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does ...
To consider separately the action or the characters of a play , and separately its style or versification , is both legitimate and valuable , so long as we remember what we are doing . But the true critic in speaking of these apart does ...
Pagina 491
action , therefore , is not with a view to the representation of character : character comes in as subsidiary to the actions . Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing of all .
action , therefore , is not with a view to the representation of character : character comes in as subsidiary to the actions . Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing of all .
Pagina 495
A Complex action is one in which the change is accompanied by such Reversal , or by Recognition , or by both . These last should arise from the internal structure of the plot , so that what follows should be the necessary or probable ...
A Complex action is one in which the change is accompanied by such Reversal , or by Recognition , or by both . These last should arise from the internal structure of the plot , so that what follows should be the necessary or probable ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |