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Risultati 1-3 di 61
Pagina 317
To consider separately the action or the characters of a play , and separately its
style or versification , is both legitimate and valuable , so long as we remember
what we are doing . But the true critic in speaking of these apart does not really ...
To consider separately the action or the characters of a play , and separately its
style or versification , is both legitimate and valuable , so long as we remember
what we are doing . But the true critic in speaking of these apart does not really ...
Pagina 491
action , therefore , is not with a view to the representation of character : character
comes in as subsidiary to the actions . Hence the incidents and the plot are the
end of a tragedy ; and the end is the chief thing of all . Again , without action there
...
action , therefore , is not with a view to the representation of character : character
comes in as subsidiary to the actions . Hence the incidents and the plot are the
end of a tragedy ; and the end is the chief thing of all . Again , without action there
...
Pagina 495
A Complex action is one in which the change is accompanied by such Reversal ,
or by Recognition , or by both . These last should arise from the internal structure
of the plot , so that what follows should be the necessary or probable result of ...
A Complex action is one in which the change is accompanied by such Reversal ,
or by Recognition , or by both . These last should arise from the internal structure
of the plot , so that what follows should be the necessary or probable result of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist beauty become belief body called character color common complete concept connection conscious consists contemplation criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |